Skip to main content

Dystopian Beta-Read: The Clearing

The Clearing is a 65,000 word dystopian horror centred around the question 'Why do the Sentenced run into the forest full of the Soulless?'

And it's finally complete!

I'm currently looking for a few more beta-readers. If you’d like to test it out, part 1 is on Figment and Wattpad. The response so far has been exceptional - I couldn't be happier. 

Drop me a message at in the comments or fill out the contact form. I crave your most honest opinions but don't worry - I don’t bite. I'm looking to make changes.

The manuscript has already passed through several individuals with different strengths and should feel fairly edited. However, if you spot a mistake, highlight it/comment/let me know whichever way you like.

Thank you so much to those who have already helped so far. I will remember all of you!

Similar books: The Forest Of Hands And Teeth, Wither, Hunger Games – I’m not claiming to be on par, just a similar vibe.



The Clearing Synopsis

Ruby’s father encouraged her as a child not to trust the Cult of Life or how they run the village. For his opinions alone, her father was Sentenced – thrown outside the gates and expected to run into the forest. But the only life that thrives outside the village boundaries is that of the Soulless: the undead who always know how to get their prey.

Now she’s sixteen, Ruby refuses to respect the Cult, inspiring the young to doubt their leaders and shooting an abusive follower with a blunted arrow. But most of all, Ruby stay inquisitive. Why does the Cult allow psychics to condemn villagers before they’re guilty? And why do the Sentenced run so willingly into the forest full of the Soulless? Her questions lead her into spot healthy strangers behind the gate, a truth the Cult will not tolerate.

Ruby is Sentenced before she can share what she’s learned. But unlike others before her, she refuses to run to her death – an act of defiance that she lives to regret.

Comments

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a clichĂ© story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans...

Opening Chapter: Quiz and Contest

The opening chapter is pivotal. It needs to draw in an intended audience – it needs flare and promise of things to come, with writing that earns the reader’s trust, luring them into the next chapter.  I’ve made a quick quiz to test whether your opening has what it takes. You don’t need all of these things for a good chapter. Hell, I bet there are a few I’ve forgotten too! Answer each of the following using evidence from your opening. If you can’t, then maybe you need to spice up the chapter. 1) Is your opening line unique, scene setting, or hooking? 2) What makes your character unique? 3) Pick out your best line of description. 4) Pick out your quirkiest line. 5) Is the genre and sub-genres obvious? 6) Is it clean from silly mistakes – have you read through more than 10 times? 7) Does it end on a cliff-hanger? 8) What makes it different from other novels in that genre? 9) Does it start close to the action? 10) Are you happy with it?...

Show Vs. Tell: Round 1

Hands up if a critic has told you ‘show don’t tell’ (SDT). Keep that hand up if you found it rather unhelpful at the time or if that critic didn’t elaborate much. Yes, it’s a pesky phrase. Showing rather than telling can be a pretty powerful tool, and here's what it really means: Showing brings your words to life, creates imagery, and lets the reader know exactly what’s going on. It doesn’t tell you facts explicitly, but builds an idea in your head so that usually you understand it in far more detail than you would have. Good writing makes you realise a fact without being told it straight. As a writer it forces you to explore your imagination further really think about your story and your characters. It adds depth. *But showing is not always better than telling.* Telling adds pace. It moves the story along and sums up ideas that may be unclear if let to just showing. It doesn’t try to add detail to a relatively boring fact. It lets you know what piece of information is imp...