Skip to main content

Lay or Lie? Arh!

Do you know when to lay and when to lie? Get this right, and you’ll impress an editor. It won’t make your book any more marketable, but you’ll know one thing that most aspiring writers don’t. And no wonder:


To recline:
Lie.
Lay.
Lain.
Lying.
To set down:
Lay.
Laid.
Laid.
Laying.
To tell an untruth:
Lie.
Lied.
Lied.
Lying.


These words are a bit stupid. They overlap so much that most writers will get this wrong. I could go on, showing how easily it is to get in a rut, but I’m not here to confuse. You can probably do that on your own.

First off, learn the present tense forms. One great tip is to ask Lay what? To set something down is transitive, which means you need an object. I lay the book down just as much as I set the book down. If you want to pick her up and lay her body down, that’s also fine. But if you want to be next to her, you need to lie down. If you need a nap, then you lie down.

That might make it look simpler...until you write a sentence and need to decide which term is correct. That’s when the knowledge seems to curdle and separate itself from your brain. So here are several examples of how each word should be used. If you can’t figure it out, then maybe you can match your sentence to one here:

To tell a lie is bad.

To lie on the sofa is lazy.

Did you just lay an egg?

Yes, the egg was laid.

I didn’t lie and I didn’t lay it.

She has lain on the bed for hours.

The clothes were laid on the bed.

She lay down next to her clothes and sighed.

I am not laying the clothes out.

I am lying on the bed.

Kinda sound like a naff poem, but hopefully it helps. If not, there are many others who are desperately trying to explain this mess of tenses. I recommend Grammar Girl’s explanation.

Cheers for reading mine!

Comments

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a cliché story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans

Opening Chapter: Quiz and Contest

The opening chapter is pivotal. It needs to draw in an intended audience – it needs flare and promise of things to come, with writing that earns the reader’s trust, luring them into the next chapter.  I’ve made a quick quiz to test whether your opening has what it takes. You don’t need all of these things for a good chapter. Hell, I bet there are a few I’ve forgotten too! Answer each of the following using evidence from your opening. If you can’t, then maybe you need to spice up the chapter. 1) Is your opening line unique, scene setting, or hooking? 2) What makes your character unique? 3) Pick out your best line of description. 4) Pick out your quirkiest line. 5) Is the genre and sub-genres obvious? 6) Is it clean from silly mistakes – have you read through more than 10 times? 7) Does it end on a cliff-hanger? 8) What makes it different from other novels in that genre? 9) Does it start close to the action? 10) Are you happy with it? Or

Book Review: Children of Blood and Bone

CHILDREN OF BLOOD AND BONE by Tomi Adeyemi 5 Stars Verdict: So good it hurts. The night magic died, Zélie watched her mother's murder as the Maji were slaughtered. Now Zélie has a chance to bring back magic. With the help of her brother and a rogue princess, she must outrun the crown prince and battle her self-doubts to restore magic to the world. This West-African inspired fantasy is powerful and all round awesome from start to finish. The writing is emotive and imaginative, the pacing is as perfect as it gets, and the characters are real with flaws and charm. I hardly know what to say. A brilliant book like this tells the editor in me to shut up and enjoy the ride, so I'd need to read it again to offer more of a critique. If every book was as good as this one, I would never be able to stop reading. The struggles, anger, and pain are carved into this book so deeply that the desires bleed through the pages and the triumphs feel earned. The emotion in this book is