Skip to main content

Book Review: To Kill A Kingdom

TO KILL A KINGDOM by Alexandra Christo
5 Stars
Verdict: A killer little mermaid retelling.


Lira is a murderous siren known as the Prince's Bane, for each year she steals the heart of a promised ruler to add to her collection. Her horrid mother, the sea queen, enjoys tormenting her, and thinks that the mercy Lira shows her victims makes her unfit to rule the sea.

Prince Elian is a siren killer. He travels the seas with a band of misfits - similar to a pirate, minus the plunder, pillaging, and general illegal behaviour - but one day must return to rule Midas. He finds his impending duties suffocating, but when he hears  whispers of a relic that could kill the sea queen herself, he barters his freedom away to find its location.

When Lira washes aboard Elian’s ship with legs instead of fins, the pair are thrown together in a quest to find the second eye of Keto, a powerful crystal strong enough to kill the sea queen.

So it’s a little mermaid with a dark twist, with the myth of Midas worked into Elian’s kingdom.

Everything about this book is simple yet strong, from the smooth yet beautiful prose, the small cast of well-fleshed characters, and the clear concept: find the eye of Keto, kill the sea queen. The overarching plot is fairly predictable as soon as the pieces are set up, but the journey is laced with surprises, and there’s plenty of action, romance, and magic to enjoy throughout.

The dual POV works well for this tale, because both characters are compelling to read about. Elian is heroic, charming, and good with a sword, a leader by example and someone who enjoys humour. Lira is a brilliant anti-hero, a murderer but not at heart. She plots the kill the prince to steal the crystal, and that keeps the tension throughout.

I did struggle to keep up with the logistics in the water action scenes. There’s more focus on the atmosphere of the action than the details, so I chose to go with the flow on this one.

Another weakness of the story is the promise of a anti-hero POV at the start which couldn’t be maintained throughout, or perhaps the timeline of the whole transition. Lira’s character arc and Elian’s ability to forgive are rushed - considering how fresh some of Lira’s kills were - but for the sake of an awesome story, the emotional journey has been accelerated. With the length and pace of the book, I think this sacrifice isn’t detrimental but it is noticeable.

On an editorial note, I would recommend adding the narrator's name to the beginning of each chapter. While the two main characters are very different, their narration style overlaps heavily. It seems like a simple addition that doesn't do any harm but could possibly do good.

Source: With thanks to the publishers via NetGalley.com.

Comments

Post a Comment

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a cliché story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans...

Dialogue Marks and Taglines

I’m having to point out how to format taglines on a regular basis now, especially when the dialogue takes the form of a question. I thought I’d throw together a quick guide in hopes that everyone who was unaware will see this and instantly understand... Or even just one person. “I fancy a biscuit,” said Samantha. – And I do (how could you tell?) although that’s not the point. My point is you need a comma after biscuit and ‘said’ is in lowercase because the following words form a tagline. It’s a tagline because it refers to how the dialogue is said or who says it. “I fancy a biscuit.” Samantha grabbed the tin. – There’s no tagline. Therefore you need a full stop and to start a new sentence. “I fancy a biscuit.” She smiled. – This doesn’t refer to how the speech is said. Therefore you need a full stop. “Where are my biscuits?” shouted Samantha. – You need lowercase into the tagline. Think of it as part of the sentence. “My biscuits!” she cried. – Again, lowercase. Whether...

Opening Chapter: Quiz and Contest

The opening chapter is pivotal. It needs to draw in an intended audience – it needs flare and promise of things to come, with writing that earns the reader’s trust, luring them into the next chapter.  I’ve made a quick quiz to test whether your opening has what it takes. You don’t need all of these things for a good chapter. Hell, I bet there are a few I’ve forgotten too! Answer each of the following using evidence from your opening. If you can’t, then maybe you need to spice up the chapter. 1) Is your opening line unique, scene setting, or hooking? 2) What makes your character unique? 3) Pick out your best line of description. 4) Pick out your quirkiest line. 5) Is the genre and sub-genres obvious? 6) Is it clean from silly mistakes – have you read through more than 10 times? 7) Does it end on a cliff-hanger? 8) What makes it different from other novels in that genre? 9) Does it start close to the action? 10) Are you happy with it?...