Skip to main content

Book Review: To Kill A Kingdom

TO KILL A KINGDOM by Alexandra Christo
5 Stars
Verdict: A killer little mermaid retelling.


Lira is a murderous siren known as the Prince's Bane, for each year she steals the heart of a promised ruler to add to her collection. Her horrid mother, the sea queen, enjoys tormenting her, and thinks that the mercy Lira shows her victims makes her unfit to rule the sea.

Prince Elian is a siren killer. He travels the seas with a band of misfits - similar to a pirate, minus the plunder, pillaging, and general illegal behaviour - but one day must return to rule Midas. He finds his impending duties suffocating, but when he hears  whispers of a relic that could kill the sea queen herself, he barters his freedom away to find its location.

When Lira washes aboard Elian’s ship with legs instead of fins, the pair are thrown together in a quest to find the second eye of Keto, a powerful crystal strong enough to kill the sea queen.

So it’s a little mermaid with a dark twist, with the myth of Midas worked into Elian’s kingdom.

Everything about this book is simple yet strong, from the smooth yet beautiful prose, the small cast of well-fleshed characters, and the clear concept: find the eye of Keto, kill the sea queen. The overarching plot is fairly predictable as soon as the pieces are set up, but the journey is laced with surprises, and there’s plenty of action, romance, and magic to enjoy throughout.

The dual POV works well for this tale, because both characters are compelling to read about. Elian is heroic, charming, and good with a sword, a leader by example and someone who enjoys humour. Lira is a brilliant anti-hero, a murderer but not at heart. She plots the kill the prince to steal the crystal, and that keeps the tension throughout.

I did struggle to keep up with the logistics in the water action scenes. There’s more focus on the atmosphere of the action than the details, so I chose to go with the flow on this one.

Another weakness of the story is the promise of a anti-hero POV at the start which couldn’t be maintained throughout, or perhaps the timeline of the whole transition. Lira’s character arc and Elian’s ability to forgive are rushed - considering how fresh some of Lira’s kills were - but for the sake of an awesome story, the emotional journey has been accelerated. With the length and pace of the book, I think this sacrifice isn’t detrimental but it is noticeable.

On an editorial note, I would recommend adding the narrator's name to the beginning of each chapter. While the two main characters are very different, their narration style overlaps heavily. It seems like a simple addition that doesn't do any harm but could possibly do good.

Source: With thanks to the publishers via NetGalley.com.

Comments

Post a Comment

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a cliché story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans...

Book Review: Children of Blood and Bone

CHILDREN OF BLOOD AND BONE by Tomi Adeyemi 5 Stars Verdict: So good it hurts. The night magic died, Zélie watched her mother's murder as the Maji were slaughtered. Now Zélie has a chance to bring back magic. With the help of her brother and a rogue princess, she must outrun the crown prince and battle her self-doubts to restore magic to the world. This West-African inspired fantasy is powerful and all round awesome from start to finish. The writing is emotive and imaginative, the pacing is as perfect as it gets, and the characters are real with flaws and charm. I hardly know what to say. A brilliant book like this tells the editor in me to shut up and enjoy the ride, so I'd need to read it again to offer more of a critique. If every book was as good as this one, I would never be able to stop reading. The struggles, anger, and pain are carved into this book so deeply that the desires bleed through the pages and the triumphs feel earned. The emotion in this book is ...

Psycho Bites: Metaphors and Similes

I’m a psychology undergraduate doing my final year project on figurative language. If I find something interesting or relative to writing (the whole reason I picked a psycholinguistic project) then I’ll post it on here for you to read. Do we have a deal? I'll start with the psychological difference between a metaphor and a smile. A simile compares two concepts using ‘like’ or ‘as’ to. A metaphor is very similar except it states that the concepts are the same despite the reader knowing they’re not. It turns out metaphors are more powerful because we can read them faster. This was discovered by measuring how long it took for a person to read a sentence written in a metaphorical form (‘jobs are jails’) compared to how long it took to read as a simile (‘jobs are like jails’). Metaphors were read faster! They also provide different types of imagery. Similes provide more basic links which are true for both items where as metaphors seem to open your mind up to further possibilitie...