Skip to main content

Tautology

I have learnt a new word! Somehow it has been nestled in my blind spot, although luckily the concept hasn’t avoided me.

It refers to saying the same thing twice but with different words. It reiterates an idea which you’ve just explained... see what I did? And it does so without adding anything more to the point or force.

You’ll wanna avoid tautology. Make sure that every sentence – every word – adds to the description or point. If it doesn’t add, then you don’t need it. Remove it from your paragraph and either replace it with something that brings the piece to life or keep the space free so that the pace can increase.

Sometimes this can relate to modifiers. For example, ‘he sprinted quickly’ has a sense of tautology to it. You don’t need to say both ‘sprinted’ and ‘quickly’. It’s superfluous description (another great word). The raw, basic form of the sentence is much stronger that the one with that extra word of description, although it’s not always felt immediately.

That’s not to say you can’t use repetition to really enforce an idea. Just do it knowingly (and in a way which critics don’t catch you out).

It links in with ‘show don’t tell’ which I’ll be pulling apart soon, which is a phrase much overused and not always understood or relevant. More on that later.

For more on this, take a quick look at: http://grammar.about.com/od/tz/g/tautolterm.htm

Comments

  1. wow, I never really thought about this! Great post! I learned something new and it was perfect timing. I'm working on my final draft and this will definitely help. I'd hate to finish and realize I abused the laws of tautology.

    ReplyDelete
  2. Cool word, great concept -- avoid repetition unless it's tactical. Helpful blog, thanks a lot!

    ReplyDelete

Post a Comment

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a cliché story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans...

Opening Chapter: Quiz and Contest

The opening chapter is pivotal. It needs to draw in an intended audience – it needs flare and promise of things to come, with writing that earns the reader’s trust, luring them into the next chapter.  I’ve made a quick quiz to test whether your opening has what it takes. You don’t need all of these things for a good chapter. Hell, I bet there are a few I’ve forgotten too! Answer each of the following using evidence from your opening. If you can’t, then maybe you need to spice up the chapter. 1) Is your opening line unique, scene setting, or hooking? 2) What makes your character unique? 3) Pick out your best line of description. 4) Pick out your quirkiest line. 5) Is the genre and sub-genres obvious? 6) Is it clean from silly mistakes – have you read through more than 10 times? 7) Does it end on a cliff-hanger? 8) What makes it different from other novels in that genre? 9) Does it start close to the action? 10) Are you happy with it?...

Show Vs. Tell: Round 1

Hands up if a critic has told you ‘show don’t tell’ (SDT). Keep that hand up if you found it rather unhelpful at the time or if that critic didn’t elaborate much. Yes, it’s a pesky phrase. Showing rather than telling can be a pretty powerful tool, and here's what it really means: Showing brings your words to life, creates imagery, and lets the reader know exactly what’s going on. It doesn’t tell you facts explicitly, but builds an idea in your head so that usually you understand it in far more detail than you would have. Good writing makes you realise a fact without being told it straight. As a writer it forces you to explore your imagination further really think about your story and your characters. It adds depth. *But showing is not always better than telling.* Telling adds pace. It moves the story along and sums up ideas that may be unclear if let to just showing. It doesn’t try to add detail to a relatively boring fact. It lets you know what piece of information is imp...