Skip to main content

Book review: Throne of Glass

THRONE OF GLASS by Sarah J. Maas
5 Stars
Verdict: This is a series I want on my shelf!




Hmm, yes, this one is interesting. Dark and cunning are just how I like lead characters to be, and Celaena the assassin is exactly that. If only there were some forbidden romances and –

But wait. Yes, we have two. Maybe even a future third. It’s practically a love triangle.

Okay, I’ll stop that. Maas has style. Voice. Her writing is strong, and her characters even stronger in all senses of the word. I can’t wait to read the whole series, especially with such as dark leading gal to follow through it.

Celaena Sardothien, notorious assassin, has spent the last few years in slavery. She’s snarky, arrogant, and lethal, which is exactly why she’s chosen by the Crown Prince to compete in a competition to become the king’s champion, or personal assassin.

The third person POV also hovers over the shoulder of Dorian, a cocky and charming prince who is nothing like his ruthless father, and his best friend Chaol, the stoic Captain of the Guard. Both spend enough time with Celaena to realise she’s fascinating… I bet you can see where this is going.

There was always something to keep me reading., like the tension between the characters with blossoming romance, as well as the characters who I wasn’t sure whether they could be trusted. There’s danger, a competition with few rules, secret passageways, violent murders, and more than one great line to make me really appreciate the writing too.

This book is probably best for those who like the idea of epic fantasy, but don’t want to get bogged down with place names, unpronounceable characters, and lengthy world building which is more for site seeing than plot. I can see why there was a lot of hype around this one!

Source: Bought it!
Labels:

Comments

Post a Comment

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a cliché story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans...
9 comments
Read more

Opening Chapter: Quiz and Contest

The opening chapter is pivotal. It needs to draw in an intended audience – it needs flare and promise of things to come, with writing that earns the reader’s trust, luring them into the next chapter.  I’ve made a quick quiz to test whether your opening has what it takes. You don’t need all of these things for a good chapter. Hell, I bet there are a few I’ve forgotten too! Answer each of the following using evidence from your opening. If you can’t, then maybe you need to spice up the chapter. 1) Is your opening line unique, scene setting, or hooking? 2) What makes your character unique? 3) Pick out your best line of description. 4) Pick out your quirkiest line. 5) Is the genre and sub-genres obvious? 6) Is it clean from silly mistakes – have you read through more than 10 times? 7) Does it end on a cliff-hanger? 8) What makes it different from other novels in that genre? 9) Does it start close to the action? 10) Are you happy with it?...
6 comments
Read more

Show Vs. Tell: Round 1

Hands up if a critic has told you ‘show don’t tell’ (SDT). Keep that hand up if you found it rather unhelpful at the time or if that critic didn’t elaborate much. Yes, it’s a pesky phrase. Showing rather than telling can be a pretty powerful tool, and here's what it really means: Showing brings your words to life, creates imagery, and lets the reader know exactly what’s going on. It doesn’t tell you facts explicitly, but builds an idea in your head so that usually you understand it in far more detail than you would have. Good writing makes you realise a fact without being told it straight. As a writer it forces you to explore your imagination further really think about your story and your characters. It adds depth. *But showing is not always better than telling.* Telling adds pace. It moves the story along and sums up ideas that may be unclear if let to just showing. It doesn’t try to add detail to a relatively boring fact. It lets you know what piece of information is imp...
3 comments
Read more