Skip to main content

Book Review: The Girl In The Tower

THE GIRL IN THE TOWER by Katherine Arden
2 Stars
Verdict:
Again, not for me.


After Vasya leaves her village to dispel rumours of her being a witch, she ventures through the woods, facing demons, bandits, and death itself. To survive as a lone traveller, she disguises herself as a man and unintentionally gains the attention of the Grand Prince. She must keep her true gender a secret to protect herself and her family.

I'll be honest with you all: I received this title without knowing it was book two of a series. When I realised, I read book one, my heart sinking with every page. I didn’t like it one bit, and I don’t enjoy writing low reviews either. I would never have requested the book to review if it had been clearly labelled as book two of a trilogy I had not yet started. But I agreed to review it in exchange for a copy, and I am grateful to receive it, so here is my review.

It actually started out a lot better than I expected. The narrative flits between Vasya facing the harsh wilderness, barely surviving, and her brother Sasha, the monk, who rides alongside the Grand Prince as he faces the bandits threatening his villages. The story is spread across the years so it feels like every moment matters, and the overarching plot comes together much clearer. It pulled me into Vasya’s world in a way that book one never could.

I liked how Vasya got to express herself a bit more, venturing through the woods, saving people, challenging badies – yet at the same time, I couldn’t understand why she wasn’t trying to keep a low profile. I suppose if she had played it smart, we wouldn’t have a story, but it certainly had predictable and frustrating qualities to it. I think that’s why towards the middle I felt restless, wanting the story to just get on with it already. I felt like I already knew how it would play out, and there wasn't anything particularity surprising in the end.

At some point, I lost all interest despite feeling the build-up of Vasya’s bold moves and knowing the trouble she was stirring up. The writing style just isn’t my thing, and I can’t force myself to like it, though I’ve tried. To me, the writing felt long-winded in every sense. I felt like the story wasn’t moving along as quickly as my brain was piecing it together to the point that most of the narrative between the dialogue felt useless and I probably could have skipped a couple of chapters and just reading the ending.

I think here is where me and this series part ways.

Source: With thanks to the publisher, via NetGalley.com.

Comments

Popular posts from this blog

Your Best Character: Quiz and Contest

The best characters are put through hell and yet can still carry the story forward on their broken shoulders. Your plot will fall flat if your characters are one dimensional and strong characters can make a cliché story really shine; characterisation takes work and thought. The key to character development is to ask questions. Maybe spend time thinking about the scenarios that have happened to your character which won’t make the final cut of the novel. The questions below are designed to test that (to some degree). [NOW CLOSED, REVIEWS PENDING] Answer at least 5 of these in a comment with a link to your story and I’ll give you an in-depth review. Reviews are approximately 1000 words and take me well over an hour, so if you’re looking to polish up your manuscript then don’t miss out. Also, the opening chapter with the most interesting and well-developed character will be featured on this blog! Feel free to write about anyone as long as they feature in the same story. You can ans...

Opening Chapter: Quiz and Contest

The opening chapter is pivotal. It needs to draw in an intended audience – it needs flare and promise of things to come, with writing that earns the reader’s trust, luring them into the next chapter.  I’ve made a quick quiz to test whether your opening has what it takes. You don’t need all of these things for a good chapter. Hell, I bet there are a few I’ve forgotten too! Answer each of the following using evidence from your opening. If you can’t, then maybe you need to spice up the chapter. 1) Is your opening line unique, scene setting, or hooking? 2) What makes your character unique? 3) Pick out your best line of description. 4) Pick out your quirkiest line. 5) Is the genre and sub-genres obvious? 6) Is it clean from silly mistakes – have you read through more than 10 times? 7) Does it end on a cliff-hanger? 8) What makes it different from other novels in that genre? 9) Does it start close to the action? 10) Are you happy with it?...

Show Vs. Tell: Round 1

Hands up if a critic has told you ‘show don’t tell’ (SDT). Keep that hand up if you found it rather unhelpful at the time or if that critic didn’t elaborate much. Yes, it’s a pesky phrase. Showing rather than telling can be a pretty powerful tool, and here's what it really means: Showing brings your words to life, creates imagery, and lets the reader know exactly what’s going on. It doesn’t tell you facts explicitly, but builds an idea in your head so that usually you understand it in far more detail than you would have. Good writing makes you realise a fact without being told it straight. As a writer it forces you to explore your imagination further really think about your story and your characters. It adds depth. *But showing is not always better than telling.* Telling adds pace. It moves the story along and sums up ideas that may be unclear if let to just showing. It doesn’t try to add detail to a relatively boring fact. It lets you know what piece of information is imp...